Lexington Books
Pages: 232
Trim: 6½ x 9⅜
978-0-7391-1811-5 • Hardback • July 2007 • $128.00 • (£98.00)
978-0-7391-1812-2 • Paperback • July 2007 • $55.99 • (£43.00)
978-0-7391-5229-4 • eBook • July 2007 • $53.00 • (£41.00)
Karina Eileraas is visiting assistant professor of women's studies at UCLA.
Chapter 1 Fantasizing the Self: Violence and the (Im)possibilities of Representation
Chapter 2 Disorienting Looks, Ecarts d'Identité Colonial Photography, Ownership, and Identity
Chapter 3 Misrecognizing the Family Album: Blood, Fantasy, and Nationality in the Works of Hèléne Cixous and Theresa Hak Kyung Cha
Chapter 4 Dismembering the Gaze: Speleology and Vivisection in Assia Djebar's L'amour, la fantasia
In this wide-ranging transnational study of the ways in which women postcolonial writers have re-staged the relationship between image and identity, Karina Eileraas trains an exquisitely honed critical gaze on the creative forms of aesthetic and politicalresistance put into practice by such diverse authors as Assia Djebar, Hélène Cixous, and Theresa Hak Kyung Cha. Although her book is informed by the ideas of an impressive array of theorists, it is Eileraas?s own engaging voice that, at every turn of thepage, drives home the profoundly ethical dimensions of her project...
— Dana Strand