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Jazz Arranging and Performance Practice

A Guide for Small Ensembles

Paul E. Rinzler

Unlike most jazz arranging books, which focus on the rudiments of arranging (transposition, ranges, notation, and so forth), this book deals with the real substance of arranging for small jazz ensembles, in addition to the rudiments. Rinzler devotes a chapter to each of the following arranging elements: intros, endings, accents/breaks/dynamics, time and tempo changes, style changes, form, rhythm section procedure, harmony and orchestration. Over a hundred musical examples demonstrate arranging techniques that apply to 147 jazz standards and modern compositions.
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Scarecrow Press
Pages: 184 • Trim: 5½ x 8½
978-0-8108-3689-1 • Paperback • July 1999 • $70.00 • (£54.00)
Subjects: Music / Genres & Styles / Jazz
Paul Rinzler (Doctor of Arts, University of Northern Colorado) teaches music theory and jazz studies classes at the University of California, Santa Cruz. He has played jazz piano professionally for many years and was recently awarded an NEA jazz performance grant. His big band compositions are published by Walrus publishing, and his articles on jazz have appeared in the New Grove's Dictionary of Jazz and the Annual Review of Jazz Studies.
Part 1 Preface
Chapter 2 I. BEGINNINGS (INTROS)
Part 3 Turnarounds
Part 4 Material from the Head
Part 5 New Material
Part 6 Pick-up Notes
Part 7 Free Time
Part 8 Vamps
Part 9 Pyramids
Part 10 No Intro
Chapter 11 II. ENDINGS
Part 12 Tags
Part 13 Similar Endings and Intros
Part 14 linking Several Ednings
Part 15 Cliche Endings
Part 16 Fermatas
Part 17 Staccato Vamps
Part 18 New material
Part 19 Ritard
Chapter 20 III. ACCENTS, BREAKS, DYNAMICS
Part 21 Accents
Part 22 Breaks
Part 23 Dynamics
Chapter 24 IV. STYLE CHANGES
Part 25 Style Changes within a Chorus
Part 26 Style Changes between Choruses
Part 27 Style Changes for an Entire Tune
Part 28 Free Jazz
Chapter 29 V. TIME AND TEMPO CHANGES
Part 30 Definitions
Part 31 Tempo Changes
Part 32 Time/Feel Changes
Part 33 Meter Changes
Part 34 Playing Behind and Ahead of the Beat
Chapter 35 VI. FORM CHANGES
Part 36 Standard Forms
Part 37 Standard Jazz Arrangement
Part 38 Changing in the Chorus Structure
Part 39 Number of Heads
Part 40 Solos
Part 41 Changing the Melody
Part 42 Fours
Chapter 43 VII. RHYTHM SECTION PROCEDURE
Part 44 Different Procedure in Head
Part 45 Dropping Instruments Out
Part 46 Deviations From Standard Patterns
Chapter 47 VIII. JAZZ HARMONY
Part 48 Chord Symbols
Part 49 Relationships between Chords and Scales
Part 50 Notating Extensions and Substitute Chords
Part 51 Chord Progressions and Substitute Chords
Part 52 Common Progressions and Substitute Chords
Part 53 Reharmonizing the Given Chord Progression
Chapter 54 IX. HARMONIZATION AND ORCHESTRATION
Part 55 One-part Writing
Part 56 Two-part Writing
Part 57 Three-part Writing
Part 58 Spacings and Inversions
Part 59 Combinations of Instruments
Part 60 Limited Harmonization
Part 61 Counterpoint and Backgrounds
Part 62 New Melodies
Part 63 Appendix A. Notation
Part 64 Appendix B. Instrumentation
Part 65 Appendix C. The Rhythm Section
Part 66 Appendix D. Annotated Arrangement
Part 67 Glossary
Part 68 Bibliography
Part 69 Discography
Part 70 Index of Tunes
Part 71 General Index
...an excellent addition to the literature on jazz instruction.
— Notes: Quarterly Journal of the Music Library Association


...detailed but concise...this thoroughly researched and clearly written book will be accessible to students and public library patrons with some technical background.
— Choice Reviews


Jazz Arranging and Performance Practice

A Guide for Small Ensembles

Cover Image
Paperback
Summary
Summary
  • Unlike most jazz arranging books, which focus on the rudiments of arranging (transposition, ranges, notation, and so forth), this book deals with the real substance of arranging for small jazz ensembles, in addition to the rudiments. Rinzler devotes a chapter to each of the following arranging elements: intros, endings, accents/breaks/dynamics, time and tempo changes, style changes, form, rhythm section procedure, harmony and orchestration. Over a hundred musical examples demonstrate arranging techniques that apply to 147 jazz standards and modern compositions.
Details
Details
  • Scarecrow Press
    Pages: 184 • Trim: 5½ x 8½
    978-0-8108-3689-1 • Paperback • July 1999 • $70.00 • (£54.00)
    Subjects: Music / Genres & Styles / Jazz
Author
Author
  • Paul Rinzler (Doctor of Arts, University of Northern Colorado) teaches music theory and jazz studies classes at the University of California, Santa Cruz. He has played jazz piano professionally for many years and was recently awarded an NEA jazz performance grant. His big band compositions are published by Walrus publishing, and his articles on jazz have appeared in the New Grove's Dictionary of Jazz and the Annual Review of Jazz Studies.
Table of Contents
Table of Contents
  • Part 1 Preface
    Chapter 2 I. BEGINNINGS (INTROS)
    Part 3 Turnarounds
    Part 4 Material from the Head
    Part 5 New Material
    Part 6 Pick-up Notes
    Part 7 Free Time
    Part 8 Vamps
    Part 9 Pyramids
    Part 10 No Intro
    Chapter 11 II. ENDINGS
    Part 12 Tags
    Part 13 Similar Endings and Intros
    Part 14 linking Several Ednings
    Part 15 Cliche Endings
    Part 16 Fermatas
    Part 17 Staccato Vamps
    Part 18 New material
    Part 19 Ritard
    Chapter 20 III. ACCENTS, BREAKS, DYNAMICS
    Part 21 Accents
    Part 22 Breaks
    Part 23 Dynamics
    Chapter 24 IV. STYLE CHANGES
    Part 25 Style Changes within a Chorus
    Part 26 Style Changes between Choruses
    Part 27 Style Changes for an Entire Tune
    Part 28 Free Jazz
    Chapter 29 V. TIME AND TEMPO CHANGES
    Part 30 Definitions
    Part 31 Tempo Changes
    Part 32 Time/Feel Changes
    Part 33 Meter Changes
    Part 34 Playing Behind and Ahead of the Beat
    Chapter 35 VI. FORM CHANGES
    Part 36 Standard Forms
    Part 37 Standard Jazz Arrangement
    Part 38 Changing in the Chorus Structure
    Part 39 Number of Heads
    Part 40 Solos
    Part 41 Changing the Melody
    Part 42 Fours
    Chapter 43 VII. RHYTHM SECTION PROCEDURE
    Part 44 Different Procedure in Head
    Part 45 Dropping Instruments Out
    Part 46 Deviations From Standard Patterns
    Chapter 47 VIII. JAZZ HARMONY
    Part 48 Chord Symbols
    Part 49 Relationships between Chords and Scales
    Part 50 Notating Extensions and Substitute Chords
    Part 51 Chord Progressions and Substitute Chords
    Part 52 Common Progressions and Substitute Chords
    Part 53 Reharmonizing the Given Chord Progression
    Chapter 54 IX. HARMONIZATION AND ORCHESTRATION
    Part 55 One-part Writing
    Part 56 Two-part Writing
    Part 57 Three-part Writing
    Part 58 Spacings and Inversions
    Part 59 Combinations of Instruments
    Part 60 Limited Harmonization
    Part 61 Counterpoint and Backgrounds
    Part 62 New Melodies
    Part 63 Appendix A. Notation
    Part 64 Appendix B. Instrumentation
    Part 65 Appendix C. The Rhythm Section
    Part 66 Appendix D. Annotated Arrangement
    Part 67 Glossary
    Part 68 Bibliography
    Part 69 Discography
    Part 70 Index of Tunes
    Part 71 General Index
Reviews
Reviews
  • ...an excellent addition to the literature on jazz instruction.
    — Notes: Quarterly Journal of the Music Library Association


    ...detailed but concise...this thoroughly researched and clearly written book will be accessible to students and public library patrons with some technical background.
    — Choice Reviews


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