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Committed Theatre in Nigeria

Perspectives on Teaching and Practice

Edited by Segun Oyeleke Oyewo; Stephen Ogheneruro Okpadah and Taiwo Okunola Afolabi - Contributions by Abayomi Adegbamigbe; Joseph Olutoyin Jiboku; Prayer P. Elmo Raj; Oluwasegun Olawale Quadri; Hameed Olutoba Lawal; Muyiwa P. Awodiya; Nicholas Efe Akpore; Adjeketa Blessing; Stephen Ogheneruro Okpadah; Taiwo Okunola Afolabi; Segun Oyeleke Oyewo; Christopher Elochukwu Unegbu; Silas Emovwodo and Menyahel Teshome

This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on politics, theatre, and echoes of separatism in Nigeria and including an analysis of Aesthetagement of the Calabar Carnival in Nigeria. Chapter 4 performs a critical analysis of committed theatre practices from a global perspective. Interviews were conducted with committed artistes from Nigeria, Canada, Ethiopia, and Indonesia. Committed Theatre Perspectives in Teaching and Practice in Nigeria has the potential to impact the philosophy, teaching, and practice of theatre. The ideas contained in the book provide an excellent framework for understanding the importance and more importantly, the impact of theatre on society.
  • Details
  • Details
  • Author
  • Author
  • TOC
  • TOC
  • Reviews
  • Reviews
Lexington Books
Pages: 230 • Trim: 6¼ x 9
978-1-4985-9380-9 • Hardback • June 2020 • $111.00 • (£85.00)
978-1-4985-9381-6 • eBook • June 2020 • $45.00 • (£35.00)
Subjects: Political Science / World / African, Music / Philosophy & Social Aspects, Social Science / World / Africa
Segun Oyeleke Oyewo is head of the Department of Theatre Arts, University of Africa, Toru-Orua, Bayelsa State.

Stephen Ogheneruro Okpadah is a PhD candidate in the Department of the Performing Arts, University of Ilorin.

Taiwo Okunola Afolabi is a PhD candidate in the Department of Theatre at the University of Victoria.
Contents

List of Figures

List of Tables



Function, need and the practical implications of Committed Theatre and Theatre of Commitment in Nigeria: An Introduction.



Chapter 1: Theatre in Development Discourse

The Imperatives of Freire’s Poetics of Liberation for Applied Theatre

Adegbamigbe, Abayomi.

The Arts: Artistes and the Theatre in Development Discourse

Jiboku, Joseph Olutoyin

On Being Black: Art and commitment in August Wilson

Prayer P. Elmo Raj

Functional Arts: An Innovative Exploration of Bamboo for Entreprenuerer Possibilities in Nigeria.

Quadri, Oluwasegun Olawale



Chapter 2 :Nigerian theatre in perspective

Patterns and Trends of Committed Theatre in Nigeria

Lawal, Hameed Olutoba

The Revolutionary Ethos in Sam Ukala’s Last Heroes

Ogu-Raphael, Ifeanyi and Stephen Ogheneruro Okpadah

Theatrical elements in the Egba Festival of Kokori People in Delta State

Awodiya, Muyiwa P. and Akpore Nicholas Efe

Communalistic/Individualistic Tendencies and the Taboos in Wedlock of the Gods

Adjeketa Blessing



Chapter 3 Social, cultural and historical implications of Nigeria theatre

Politics, Theatre, and Echoes of Separatism in Nigeria

Okpadah, Stephen Ogheneruro and Taiwo Afolabi Okunola

Poverty, Ethics and Theatre Entrepreneurship in Nigeria

Oyewo, Segun Oyeleke

Analysis of Aesthetagement of Calabar Carnival in Nigeria

Oyewo, Segun Oyeleke and Christopher Elochukwu Unegbu



Chapter 4: Committed theatre practices: A critical analysis from a Global Perspective

Committed Theatre Practices: Indigenous Theatre Practice in Indonesia

Silas Emovwodo

Functional Theatre and Theatre of Commitment in Nigeria: An Interview with Akanji Nasiru

Oyewo, Segun Oyeleke

Committed Theatre, Committed People: Interview with Practitioners from Canada, interview with Paulina Grainger – Arts and Outreach Coordinator, (Inter-Cultural Association of Greater Victoria, British Columbia, Canada) & Lina De Guevara (Founder, Puente Theatre, Canada)

Taiwo Afolabi Okunola

A Committed Artist on the Niger Delta Speaks: An Interview with Ben Binebai, Associate

Professor of Theatre Arts, Niger Delta University, Amassoma, Bayelsa State, Nigeria.

Okpadah, Stephen Ogheneruro

The Committed Artiste from Ethiopia: Debebe Eshetu

Menyahel Teshome

Conclusion
This informative and comprehensive synthesis is a significant addition to the growing body of African Theater. The carefully argued and powerfully inspirational work opens a new chapter in Theater of commitment scholarship. The essays are rich explorations and conceptualizations of the field of theater of commitment in Nigeria. The ideas portrayed here are universal and timeless. A definitive text on the subject!
— Irene Agunloye, University of Jos


Committed Theatre in Nigeria

Perspectives on Teaching and Practice

Cover Image
Hardback
eBook
Summary
Summary
  • This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on politics, theatre, and echoes of separatism in Nigeria and including an analysis of Aesthetagement of the Calabar Carnival in Nigeria. Chapter 4 performs a critical analysis of committed theatre practices from a global perspective. Interviews were conducted with committed artistes from Nigeria, Canada, Ethiopia, and Indonesia. Committed Theatre Perspectives in Teaching and Practice in Nigeria has the potential to impact the philosophy, teaching, and practice of theatre. The ideas contained in the book provide an excellent framework for understanding the importance and more importantly, the impact of theatre on society.
Details
Details
  • Lexington Books
    Pages: 230 • Trim: 6¼ x 9
    978-1-4985-9380-9 • Hardback • June 2020 • $111.00 • (£85.00)
    978-1-4985-9381-6 • eBook • June 2020 • $45.00 • (£35.00)
    Subjects: Political Science / World / African, Music / Philosophy & Social Aspects, Social Science / World / Africa
Author
Author
  • Segun Oyeleke Oyewo is head of the Department of Theatre Arts, University of Africa, Toru-Orua, Bayelsa State.

    Stephen Ogheneruro Okpadah is a PhD candidate in the Department of the Performing Arts, University of Ilorin.

    Taiwo Okunola Afolabi is a PhD candidate in the Department of Theatre at the University of Victoria.
Table of Contents
Table of Contents
  • Contents

    List of Figures

    List of Tables



    Function, need and the practical implications of Committed Theatre and Theatre of Commitment in Nigeria: An Introduction.



    Chapter 1: Theatre in Development Discourse

    The Imperatives of Freire’s Poetics of Liberation for Applied Theatre

    Adegbamigbe, Abayomi.

    The Arts: Artistes and the Theatre in Development Discourse

    Jiboku, Joseph Olutoyin

    On Being Black: Art and commitment in August Wilson

    Prayer P. Elmo Raj

    Functional Arts: An Innovative Exploration of Bamboo for Entreprenuerer Possibilities in Nigeria.

    Quadri, Oluwasegun Olawale



    Chapter 2 :Nigerian theatre in perspective

    Patterns and Trends of Committed Theatre in Nigeria

    Lawal, Hameed Olutoba

    The Revolutionary Ethos in Sam Ukala’s Last Heroes

    Ogu-Raphael, Ifeanyi and Stephen Ogheneruro Okpadah

    Theatrical elements in the Egba Festival of Kokori People in Delta State

    Awodiya, Muyiwa P. and Akpore Nicholas Efe

    Communalistic/Individualistic Tendencies and the Taboos in Wedlock of the Gods

    Adjeketa Blessing



    Chapter 3 Social, cultural and historical implications of Nigeria theatre

    Politics, Theatre, and Echoes of Separatism in Nigeria

    Okpadah, Stephen Ogheneruro and Taiwo Afolabi Okunola

    Poverty, Ethics and Theatre Entrepreneurship in Nigeria

    Oyewo, Segun Oyeleke

    Analysis of Aesthetagement of Calabar Carnival in Nigeria

    Oyewo, Segun Oyeleke and Christopher Elochukwu Unegbu



    Chapter 4: Committed theatre practices: A critical analysis from a Global Perspective

    Committed Theatre Practices: Indigenous Theatre Practice in Indonesia

    Silas Emovwodo

    Functional Theatre and Theatre of Commitment in Nigeria: An Interview with Akanji Nasiru

    Oyewo, Segun Oyeleke

    Committed Theatre, Committed People: Interview with Practitioners from Canada, interview with Paulina Grainger – Arts and Outreach Coordinator, (Inter-Cultural Association of Greater Victoria, British Columbia, Canada) & Lina De Guevara (Founder, Puente Theatre, Canada)

    Taiwo Afolabi Okunola

    A Committed Artist on the Niger Delta Speaks: An Interview with Ben Binebai, Associate

    Professor of Theatre Arts, Niger Delta University, Amassoma, Bayelsa State, Nigeria.

    Okpadah, Stephen Ogheneruro

    The Committed Artiste from Ethiopia: Debebe Eshetu

    Menyahel Teshome

    Conclusion
Reviews
Reviews
  • This informative and comprehensive synthesis is a significant addition to the growing body of African Theater. The carefully argued and powerfully inspirational work opens a new chapter in Theater of commitment scholarship. The essays are rich explorations and conceptualizations of the field of theater of commitment in Nigeria. The ideas portrayed here are universal and timeless. A definitive text on the subject!
    — Irene Agunloye, University of Jos


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