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Chinese Media in Africa

Perception, Performance, and Paradox

Emeka Umejei

Chinese Media in Africa: Perception, Performance, and Paradox analyzes the debate on Chinese media expansion in Africa and its implication for the African media landscape by engaging with African journalists who train and work in Chinese media organizations based in Africa. Emeka Umejei analyzes how African journalists that enter the sphere of Chinese media, often with libertarian notions of journalism, are able to navigate the collisions and collusions that inform journalism in these settings. Through extensive interviews with African journalists, Umejei explores the constant negotiation of freedoms—including the ability to always work in relation to African reality—within state-controlled media organizations. These interviews bring to light the paradoxical nature of Chinese media organizations that both preach equality with Africa and simultaneously promote Chinese hegemony in the media, highlighting the diverse contours that shape and influence journalism practices in these settings. Scholars of journalism, media studies, African studies, international relations, and sociology will find this book particularly useful.
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Lexington Books
Pages: 142 • Trim: 6½ x 9
978-1-4985-9396-0 • Hardback • July 2020 • $105.00 • (£81.00)
Subjects: Social Science / Media Studies, Language Arts & Disciplines / Communication Studies, Language Arts & Disciplines / International Communication, Social Science / Ethnic Studies / African Studies
Emeka Umejei is visiting assistant professor in communication and multimedia design at the American University of Nigeria in Yola, Adamawa State, Nigeria.
Table of Contents



Chapter One: Chinese Media in Africa: A Paradox of Journalism?



Chapter Two: Framing Democracy in Chinese media



Chapter Three: Do Chinese media organizations Tell the ‘true’ African Story?



Chapter four: Chinese watchdogs: Journalistic role performance in Chinese media



Chapter five: ‘Upstairs’ and ‘Downstairs’ of Gatekeeping in Chinese Media



Chapter Six: ‘We are like Puppets’: No Freedom to Investigate



Chapter seven: Hybridizing Journalism: Clash of two ‘journalisms’ in Africa



Chapter eight: Language Differences, Segregated Newsroom



Chapter Nine: Conclusion

[T]hese approaches take a Manichean prism that highlights the fears and hopes of Chinese presence in Africa. It is for this reason thatChinese Media in Africa: Perception, Performance, and Paradox becomes a must-read. . . . the author has attempted to fill a number of gaps in the literature about the impact of Chinese media in Africa. His hybridization perspective provides a nuanced approach to the understanding of Chinese influence, especially that most studies take a Manichean prism. Further, the use of interviews gives strength to the study, in the sense that we are able to hear the voices of journalists.


— International Journal of Communication


In this book, Dr. Emeka Umejei has succeeded in weaving a mosaic of divergent philosophical thoughts that undergird the performance of different media systems. And he succeeds in creating a narrative about why and how different world media systems behave the way they do. In this case, Chinese media in Africa and how they interact and overlap with local media systems. It is obvious, although not always apparent, that these media systems are in Africa to support the political and economic objectives of their parent country. This is what this book unravels.


— Ritchard M'bayo, Fulbright Professor


Chinese Media in Africa is an important intervention into the study of China-Africa relations and global communication. It illuminates the dynamic voices of African journalists within Chinese media—their aspirations and everyday struggles—often left hidden in ideological debates about China in Africa. By demonstrating the possibility for coexistence between Chinese and Western media practices and values in Africa, Dr. Emeka further transforms our understanding of journalism in the Global South.


— Maria Repnikova, Georgia State University


An essential, and empirically grounded, contribution to understand how China is expanding its media footprint in Africa. Umejei engages both with the fears and promises associated with the rise of Chinese media on a global scale, and offers a much-needed reality check through the voices of the journalists who have lived through different stages of China’s unprecedented attempt to speak to African audiences.


— Iginio Gagliardone, University of Witwatersrand


Chinese Media in Africa

Perception, Performance, and Paradox

Cover Image
Hardback
Summary
Summary
  • Chinese Media in Africa: Perception, Performance, and Paradox analyzes the debate on Chinese media expansion in Africa and its implication for the African media landscape by engaging with African journalists who train and work in Chinese media organizations based in Africa. Emeka Umejei analyzes how African journalists that enter the sphere of Chinese media, often with libertarian notions of journalism, are able to navigate the collisions and collusions that inform journalism in these settings. Through extensive interviews with African journalists, Umejei explores the constant negotiation of freedoms—including the ability to always work in relation to African reality—within state-controlled media organizations. These interviews bring to light the paradoxical nature of Chinese media organizations that both preach equality with Africa and simultaneously promote Chinese hegemony in the media, highlighting the diverse contours that shape and influence journalism practices in these settings. Scholars of journalism, media studies, African studies, international relations, and sociology will find this book particularly useful.
Details
Details
  • Lexington Books
    Pages: 142 • Trim: 6½ x 9
    978-1-4985-9396-0 • Hardback • July 2020 • $105.00 • (£81.00)
    Subjects: Social Science / Media Studies, Language Arts & Disciplines / Communication Studies, Language Arts & Disciplines / International Communication, Social Science / Ethnic Studies / African Studies
Author
Author
  • Emeka Umejei is visiting assistant professor in communication and multimedia design at the American University of Nigeria in Yola, Adamawa State, Nigeria.
Table of Contents
Table of Contents
  • Table of Contents



    Chapter One: Chinese Media in Africa: A Paradox of Journalism?



    Chapter Two: Framing Democracy in Chinese media



    Chapter Three: Do Chinese media organizations Tell the ‘true’ African Story?



    Chapter four: Chinese watchdogs: Journalistic role performance in Chinese media



    Chapter five: ‘Upstairs’ and ‘Downstairs’ of Gatekeeping in Chinese Media



    Chapter Six: ‘We are like Puppets’: No Freedom to Investigate



    Chapter seven: Hybridizing Journalism: Clash of two ‘journalisms’ in Africa



    Chapter eight: Language Differences, Segregated Newsroom



    Chapter Nine: Conclusion
Reviews
Reviews
  • [T]hese approaches take a Manichean prism that highlights the fears and hopes of Chinese presence in Africa. It is for this reason thatChinese Media in Africa: Perception, Performance, and Paradox becomes a must-read. . . . the author has attempted to fill a number of gaps in the literature about the impact of Chinese media in Africa. His hybridization perspective provides a nuanced approach to the understanding of Chinese influence, especially that most studies take a Manichean prism. Further, the use of interviews gives strength to the study, in the sense that we are able to hear the voices of journalists.


    — International Journal of Communication


    In this book, Dr. Emeka Umejei has succeeded in weaving a mosaic of divergent philosophical thoughts that undergird the performance of different media systems. And he succeeds in creating a narrative about why and how different world media systems behave the way they do. In this case, Chinese media in Africa and how they interact and overlap with local media systems. It is obvious, although not always apparent, that these media systems are in Africa to support the political and economic objectives of their parent country. This is what this book unravels.


    — Ritchard M'bayo, Fulbright Professor


    Chinese Media in Africa is an important intervention into the study of China-Africa relations and global communication. It illuminates the dynamic voices of African journalists within Chinese media—their aspirations and everyday struggles—often left hidden in ideological debates about China in Africa. By demonstrating the possibility for coexistence between Chinese and Western media practices and values in Africa, Dr. Emeka further transforms our understanding of journalism in the Global South.


    — Maria Repnikova, Georgia State University


    An essential, and empirically grounded, contribution to understand how China is expanding its media footprint in Africa. Umejei engages both with the fears and promises associated with the rise of Chinese media on a global scale, and offers a much-needed reality check through the voices of the journalists who have lived through different stages of China’s unprecedented attempt to speak to African audiences.


    — Iginio Gagliardone, University of Witwatersrand


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