Rowman & Littlefield Publishers
Pages: 306
•
Trim: 6¼ x 9½
978-1-4422-4627-0 • Hardback • October 2016 • $53.00 • (£41.00)
978-1-5381-2234-1 • Paperback • October 2018 • $29.00 • (£19.99)
Nickie D. Phillips is an associate professor in the Department of Sociology & Criminal Justice at St. Francis College in Brooklyn, NY and director of the college’s Center for Crime & Popular Culture. Her research focuses on the intersection of crime, popular culture, and mass media.
Acknowledgments
1 Rape Culture: The Evolution of a Concept
2 The Mainstreaming of Rape Culture
3 “Hey TV, Stop Raping Women”
4 Geek Spaces: “Pretty Girls Pretending to Be Geeks”
5 Geek Spaces: Feminist Interventions and SJW Drama
Queens
6 Rape Culture on Campus: “Real Men Don’t Hurt Women”
7 Reconciling Panic and Policy
Appendix
Resources
Notes
Index
About the Author
In Beyond Blurred Lines, Nickie D. Phillips documents the rise of the concept of rape culture, its use in popular culture and societal spaces such as gaming and college campuses, and how this ultimately shapes attitudes and responses to sexual violence.The author uses a cultural criminological framework to show how the concept of rape culture entered public spaces, particularly through media, and how the subsequent discourse then impacts politics and policy making.Beyond Blurred Lines is a significant contribution to the field of violence against women and is extremely relevant in our current mediated society.
— Criminal Law and Criminal Justice Books
Phillips, an associate sociology and criminal justice professor at St. Francis College in Brooklyn, devotes this thoughtful study to the concept of rape culture, showing how it has reshaped public debate. Phillips explains the term’s transition from being used principally within feminist academe—where it originated in the 1970s—to becoming a topic of discussion throughout mainstream media. Exploring recent subjects of controversy, including the social media– fueled national interest in the Steubenville, Ohio, sexual assault case; the depiction of sexual violence on television; misogyny within gaming culture; and the incidence of assaults on college campuses, she maintains that today’s increased discussions around the topic have created a 'media-cultural environment that ultimately impacts politics and policy making.' The book also shows that, although much work remains to be done in clarifying and improving college disciplinary policies, enforcement of existing rules against sexual assault is making headway across campuses. And, as Phillips acknowledges, the media coverage of sexual assault cases and increased discussion of rape culture has raised cultural awareness and a move toward 'finding solutions that lie outside the scope of criminal justice.' This new book will contribute to an important conversation.— Publishers Weekly
Sociologist Phillips explains that ‘rape culture’ as a concept has existed for over 25 years, but has only become popularized in the last decade. Phillips does not aim to show statistics about rape or showcase in-depth interviews with victims. Rather, she relies on extensive data and resources to unearth how ‘rape culture entered the collective imagination.’ Although the concept was originated among academics and legal scholars, it began to be used to explain sexual violence that occurred on a day-to-day basis. Phillips explains that the phrase was used to describe, characterize, or criticize performances on the Video Music Awards, or allegations against Bill Cosby and others on popular media. TV shows, comic books, and video games have similarly brought rape culture into mainstream culture. The author aptly examines college campuses as well as how Title IX has impacted the on-campus dynamics around sexual assaults. This book has significant value not because it discusses why rape happens or what caused rape culture, but because it traces the history of the concept and its social meaning.
Summing Up: Highly recommended. All academic levels/libraries.— Choice Reviews
This is a balanced book on the emergence of the term rape culture, with Phillips presenting a number of voices and opinions through an excellent scholarly framework. It is an accessible and important overview of the topic . . . Beyond Blurred Lines is likely to become a key text in the field.— Journalism & Mass Communication Quarterly
This fascinating and erudite book traces the genealogy and resurgence of "rape culture" as a popular but highly controversial concept in the collective imagination. Phillips expertly and impartially investigates opposing debates on issues such as "slut-shaming", statistics, political correctness, trigger warnings, censorship and false allegations. She argues that rape culture has become a prominent lens from which to view a number of high profile examples, including the New Delhi, Steubenville (Ohio), #gamerGate, and college sexual assault cases, as well as representations of rape and misogny in popular culture. This is critical reading for scholars and non-scholars alike on the important and ever-relevant issue of sexual violence in our contemporary society.— Nicola Henry
In Beyond Blurred Lines Nickie Phillips delivers an uncompromising, critical and long-overdue analysis of the concept and manifestations of rape culture. From news coverage of sexual violence, to its representations in popular culture, to public responses in social media, to online harassment, and sexual assault on college campuses, Phillips traces the contested history and contemporary debates regarding rape culture's nature and existence, foremost in the United States. A must read for feminist and cultural scholars who seek to understand how 'rape culture' has shifted from academic to popular discourse and how the concept has come to occupy part of a national, if not global, debate about sexual violence against women. Phillips also provides a compelling account of how rape culture is perpetuated, and how it might be stopped.— Anastasia Powell