Autocratic rule has become more transparent across Western societies, so this collection of essays on the work of Raymond Williams (1921–88) is all the more necessary. The eight fine essays Stasi has gathered outline how Williams’s work is relevant to today’s in late capitalism. The essays draw mostly on the issue of the “affective,” of how art and culture produces “meaning” for individuals. The essays are collected in two sections—"Keywords" and "Knowable Communities"—each with four essays. “Keywords” focuses on Williams’s conceptual vocabulary, and the essays examine such concepts as mediation, “long politics,” and structures of feeling. “Knowable Communities” focuses on the need to examine cultural objects through a democratic understanding of cultural literacy. Each contributor recognizes “late capitalism,” but late capitalism refuses to recognize itself. Williams’s evocation of the “affective” is used as a critical tool in most of the essays—e.g., how the concept of the “affect” might be used as both a political and a pedagogical tool to investigate the experiential. The collection asks the reader to “re-normalize" the normal in late capitalism. There are no answers, just avenues of investigation. Recommended. Upper-division undergraduates through faculty.
— Choice Reviews
Every generation needs to reread Raymond Williams, both to rescue the work from conservative attempts to limit its radicalism and as still one of our most dependable guides to a left critical knowledge movement. Raymond Williams at 100 delivers a moveable feast of today’s best critics making Williams newly relevant for familiar and new readers of Williams.
— Stephen Shapiro, professor of English and comparative literary studies, University of Warwick
A fascinating collection of essays affirming the massive achievement of Raymond Williams whilst also challenging us to think harder about his legacy. These lucid essays are respectful yet critical of Williams’s influence across many fields and disciplines and, appropriately, take very seriously Williams’s indefeasible relation to Marxist thinking. Indispensable reading for anyone interested in Williams’s unique and uniquely important work.
— Paul Smith, Professor of Cultural Studies and Global Affairs, George Mason University
The strength of the collection issues from its reading of Williams beyond earlier phases of critique and defense. It doesn’t attempt to outline or summarize Williams’ development, and assumes familiarity with his work. It allows a pathway into it by focusing on some key conceptual categories[.]
— Australian Book Review