Queen Anne and the Arts

Edited by Cedric D. Reverand II - Contributions by Barbara Benedict; Kevin L. Cope; Brian Corman; Julia Fawcett; Jayne Lewis; Estelle Murphy; Juan Christian Pellicer; Cedric D. Reverand II; Nicholas Seager; Philip Smallwood; Abigail Williams; Amanda Winkler and James A. Winn

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.

University Press Copublishing Division / Bucknell University Press

Pages: 334 • Trim: 6½ x 9⅜

978-1-61148-631-5 • Hardback • December 2014 • $147.00 • (£113.00)

978-1-61148-633-9 • Paperback • August 2016 • $64.99 • (£50.00)

Series: Transits: Literature, Thought & Culture, 1650–1850

Subjects: History / Europe / Great Britain / General, Art / European, Literary Criticism / European / English, Irish, Scottish, Welsh

Queen Anne and the Arts

Hardback

Paperback

Summary

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.

Details

University Press Copublishing Division / Bucknell University Press

Pages: 334 • Trim: 6½ x 9⅜

978-1-61148-631-5 • Hardback • December 2014 • $147.00 • (£113.00)

978-1-61148-633-9 • Paperback • August 2016 • $64.99 • (£50.00)

Series: Transits: Literature, Thought & Culture, 1650–1850

Subjects: History / Europe / Great Britain / General, Art / European, Literary Criticism / European / English, Irish, Scottish, Welsh

Author

Cedric D. Reverand, II is George Duke Humphrey Distinguished Professor of English at the University of Wyoming.

Table of Contents

List of Illustrations
Acknowledgments
Introduction
Chapter 1: “Praise the Patroness of Arts”
James A. Winn
Chapter 2: “She Will Not Be That Tyrant They Desire”: Daniel Defoe and Queen Anne
Nicholas Seager
Chapter 3: Queen Anne, Patron of Poets?
Juan Christian Pellicer
Chapter 4: The Moral in the Material: Numismatics and Identity in Evelyn, Addison, and Pope
Barbara M. Benedict
Chapter 5: Mild Mockery: Queen Anne’s Era and the Cacophony of Calm
Kevin L. Cope
Chapter 6: Great Anna’s Chaucer: Pope’s January and May and the Logic of Settlement
Philip Smallwood
Chapter 7: The Diverting Muse: Miscellanies and Miscellany Culture in Queen Anne’s Reign
Abigail Williams
Chapter 7: Nicholas Rowe’s The Fair Penitent and the Performance of Personal Space in Eighteenth-Century London
Julia H. Fawcett
Chapter 8: The Theater in the Age of Queen Anne: The Case of George Farquhar
Brian Corman
Chapter 9: Isaac Watts’s Occasional Conformities
Jayne Lewis
Chapter 10: Musical Politics in George Granville’s The British Enchanters
Amanda Eubanks Winkler
Chapter 11: “Sing Great Anna’s Matchless Name”: Images of Queen Anne in the Court Ode
Estelle Murphy
Chapter 12: Nicholas Hawksmoor: The Other English Baroque Architect
Cedric D. Reverand II
Bibliography
Notes on Contributors

Reviews

Most scholars agree that Queen Anne had a remarkable, if not necessarily noteworthy, career . . . Anne's admirers (present as well as past) viewed her as confident, majestic, and impressive, whereas her detractors considered her fat, lazy, and sterile. The connections among gender, the body, and reputation could not be any more evident. Contributors to this collection generally adopt the former view. Reverand argues that, with regard to the arts, 'Anne has been seriously underestimated' and that the 'interim period' in which she ruled, the period before the advent of the Baroque, was characterized by a great deal of artistic experimentation. . . .[The essays] make intriguing forays into the ways in which the queen’s persona was adopted for political or ceremonial purposes; essays on Daniel Defoe (Nicholas Seager) and on musical odes (Estelle Murphy) are particularly interesting. . . .Summing Up: Recommended . . . Graduate students, researchers, faculty.
— Choice Reviews

What we can be grateful for here is having a much-needed reappraisal of the cultural activity that characterized the twilight years of Stuart rule.
— New Perspectives on the Eighteenth Century

[An] informative collection. . . .Reverand has brought together fine essays on music, theater, visual art, architecture, poetry, and print culture.
— SEL: Studies in English Literature 1500-1900

[An] excellent collection.
— Eighteenth-Century Life

The essayists are well qualified to assess the arts in the reign of Queen Anne and include EC-ASECS members as well as international scholars.... This collection of essays helps us see the constructs that Anne and her artistic community shared in the representation of the finest of British creativity to the world at large.
— The Eighteenth-Century Intelligencer