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Hip Hop and Political Voice for Young South Sudanese Australians

Born to Stand Out

Sarah J. Williams - Foreword by Mandisi Majavu

Hip Hop and Political Voice for Young South Sudanese Australians: Born to Stand Out explores the building of political voice of young South Sudanese Australians to resist racialising discourses, particularly through hip hop. Presented as an ethnography, Sarah J. Williams draws on empirical evidence from a youth participatory action research project facilitated by a small nonprofit organisation: Footprints. Each chapter foregrounds counter-narratives young South Sudanese Australian hip-hop artists portray in response to over a decade of media and moral panics targeting their communities, limiting their sense of freedom and resulting in a rise in youth suicide. The core message throughout suggests participants reject any goal of or focus on ‘fitting in’. Instead, based on their conviction that they are ‘born to stand out’, these artivists carve out space in the face of racialising discourses perpetuated primarily by Australian Whiteness.

Through the lenses of new social movements and theories and perspectives informed by critical race theory and critical Hip Hop pedagogy, this book expands race and ethnicity as a central theme by exploring how the political voice of this group of young South Sudanese Australians manifests in important new ways that conventional theories of activism and resistance may not capture. Participants embark on consciousness-raising practices to reframe and assert their multiple identities whilst establishing themselves as social agents in the world.

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Lexington Books
Pages: 344 • Trim: 6 x 9
978-1-66697-190-3 • Hardback • February 2025 • $130.00 • (£100.00)
978-1-66697-191-0 • eBook • February 2025 • $50.00 • (£38.00)
Subjects: Social Science / Activism & Social Justice, Music / Genres & Styles / Rap & Hip Hop, Social Science / Ethnic Studies / Australian & Oceanian Studies

Sarah J. Williams is lecturer, researcher and program manager in Youth Work and Youth Studies at RMIT University.

List of Figures and Tables

Foreword

Acknowledgments

List of Acronyms and Key Terms

Chapter 1: Introducing Born to Stand Out

Chapter 2 – Freedom to Enact Political Voice and Develop Forms of Resistance

Chapter 3: The System – An Expression of Political Voice in the ‘Hood’

Chapter 4: ‘Oh Yeah, I am African’ – Identity Politics and Celebrating Blackness in the Consciousness-raising Journey

Chapter 5: ‘My Skin Ain’t Apex’: Presenting Counter-narratives to Racialising Discourses

Chapter 6: Born to Stand Out – ‘We Want to be Free From Our Chains’

Chapter 7: Discussion – Alternative Forms of Artivism for Young South Sudanese Australians Through Hip Hop

Chapter 8: Creating Sites for Social Change: Implications and Conclusion

A Note on Terminology

Glossary of Terms and Key Events

References

About the Author

"Hip Hop has been shown to empower marginalised communities across the world, but little research has been done to scientifically study this phenomenon. This book helps add to a global call to elevate the voices of the oppressed through amazingly talented and intelligent communities that strive even when faced with a myriad of obstacles. Sarah J. Williams centers their voices and also educates the reader on the experiences of Young South Sudanese Australians and Hip Hop as a liberatory praxis."


— Tasha Iglesias, president and co-founder, Hip Hop Association of Advancement and education co-chair, Global Conference on Hip Hop Education


Hip Hop and Political Voice for Young South Sudanese Australians

Born to Stand Out

Cover Image
Hardback
eBook
Summary
Summary
  • Hip Hop and Political Voice for Young South Sudanese Australians: Born to Stand Out explores the building of political voice of young South Sudanese Australians to resist racialising discourses, particularly through hip hop. Presented as an ethnography, Sarah J. Williams draws on empirical evidence from a youth participatory action research project facilitated by a small nonprofit organisation: Footprints. Each chapter foregrounds counter-narratives young South Sudanese Australian hip-hop artists portray in response to over a decade of media and moral panics targeting their communities, limiting their sense of freedom and resulting in a rise in youth suicide. The core message throughout suggests participants reject any goal of or focus on ‘fitting in’. Instead, based on their conviction that they are ‘born to stand out’, these artivists carve out space in the face of racialising discourses perpetuated primarily by Australian Whiteness.

    Through the lenses of new social movements and theories and perspectives informed by critical race theory and critical Hip Hop pedagogy, this book expands race and ethnicity as a central theme by exploring how the political voice of this group of young South Sudanese Australians manifests in important new ways that conventional theories of activism and resistance may not capture. Participants embark on consciousness-raising practices to reframe and assert their multiple identities whilst establishing themselves as social agents in the world.

Details
Details
  • Lexington Books
    Pages: 344 • Trim: 6 x 9
    978-1-66697-190-3 • Hardback • February 2025 • $130.00 • (£100.00)
    978-1-66697-191-0 • eBook • February 2025 • $50.00 • (£38.00)
    Subjects: Social Science / Activism & Social Justice, Music / Genres & Styles / Rap & Hip Hop, Social Science / Ethnic Studies / Australian & Oceanian Studies
Author
Author
  • Sarah J. Williams is lecturer, researcher and program manager in Youth Work and Youth Studies at RMIT University.

Table of Contents
Table of Contents
  • List of Figures and Tables

    Foreword

    Acknowledgments

    List of Acronyms and Key Terms

    Chapter 1: Introducing Born to Stand Out

    Chapter 2 – Freedom to Enact Political Voice and Develop Forms of Resistance

    Chapter 3: The System – An Expression of Political Voice in the ‘Hood’

    Chapter 4: ‘Oh Yeah, I am African’ – Identity Politics and Celebrating Blackness in the Consciousness-raising Journey

    Chapter 5: ‘My Skin Ain’t Apex’: Presenting Counter-narratives to Racialising Discourses

    Chapter 6: Born to Stand Out – ‘We Want to be Free From Our Chains’

    Chapter 7: Discussion – Alternative Forms of Artivism for Young South Sudanese Australians Through Hip Hop

    Chapter 8: Creating Sites for Social Change: Implications and Conclusion

    A Note on Terminology

    Glossary of Terms and Key Events

    References

    About the Author

Reviews
Reviews
  • "Hip Hop has been shown to empower marginalised communities across the world, but little research has been done to scientifically study this phenomenon. This book helps add to a global call to elevate the voices of the oppressed through amazingly talented and intelligent communities that strive even when faced with a myriad of obstacles. Sarah J. Williams centers their voices and also educates the reader on the experiences of Young South Sudanese Australians and Hip Hop as a liberatory praxis."


    — Tasha Iglesias, president and co-founder, Hip Hop Association of Advancement and education co-chair, Global Conference on Hip Hop Education


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