Articles
Thierry and Theodoret: Censorship, Allegory and Plausible Deniability
Richard Dutton
“In rugged verse vile matters to contain”: The Devil’s Charter as Antipasquinade
James Mardock
The Origins of Repertory in English Drama, or, How to Find Needles in Haystacks
Laurie Johnson
Not like the Others: The Three Lords and Ladies of London and the Queen’s Men Repertory
Erin Kelly
Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament, The Jew of Malta, and Stories of Economic Change
Bradley Ryner
The Wars of Cyrus: Date and Authorship, and Why They Matter
Michael J. Hirrel
“Gone and Loste”: Tracing Philip Henslowe’s 1598 Theatrical Inventories
Anouska Lester
Q1 Hamlet and its Compilers
Brian Vickers
Authorship Attributions in the Fletcher Canon
Darren Freebury-Jones
Reviews
Harry R. McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre, New York: Cambridge University Press, 2022.
Valerie Billing
Noémie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the Making of Race, RaceB4Race: Critical Race Studies of the Premodern, Philadelphia: University of Pennsylvania Press, 2022.
Dennis Britton
Darren Freebury-Jones, Shakespeare’s Tutor: The influence of Thomas Kyd, Manchester: Manchester University Press, 2022.
Christopher Crosbie
Mark Kaethler, Thomas Middleton and the Plural Politics of Jacobean Drama, Berlin: De Gruyter, 2021.
David Nicol
Caroline Bicks, Cognition and Girlhood in Shakespeare’s World: Rethinking Female Adolescence, Cambridge: Cambridge University Press, 2021.
Bethany Packard
Urvashi Chakravarty, Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England, Philadelphia: University of Pennsylvania Press, 2022.
Elizabeth Rivlin
Emma Lipton, Cultures of Witnessing: Law and the York Plays, Philadelphia: University of Pennsylvania Press, 2022.
Jeffrey G. Stoyanoff