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Second Nature

Comic Performance and Philosophy

Edited by Josephine Gray and Lisa Trahair

This critical intervention in the study of the comic investigates how the comic act is also an expressive and performative act that precedes philosophical conceptualisation. The book puts Bergson, philosophy and the body at the centre of its investigation to explore different aspects of the field, from the history and philosophy of comedy to film and psychoanalysis. The volume develops a theoretical and practice-based framework that will be a valuable resource for students, scholars and practitioners alike in the fields of philosophy, literary studies, theatre and performance studies and comedy studies.

List of Contributors: Caterina Angela Agus, Fred Dalmasso, Lisabeth During, Xavier Escribano, Giovanni Fusetti, Davide Giovanzana, Josephine Gray, María J. Ortega Máñez, Meg Mumford, Jean-Michel Rabaté, Carolyn Shapiro, Lisa Trahair

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Rowman & Littlefield Publishers
Pages: 270 • Trim: 6¼ x 9½
978-1-78661-509-1 • Hardback • November 2022 • $121.00 • (£93.00)
978-1-78661-510-7 • eBook • November 2022 • $38.00 • (£30.00)
Subjects: Philosophy / Aesthetics, Philosophy / Continental Philosophy, Philosophy / Movements / Phenomenology

Josephine Gray is co-artistic director of Iraqi Bodies, a theatre group based in Gothenburg, Sweden, dedicated to exploring the links between movement and gesture, dance and physical theatre. Her experimental practice is anchored in the theory and method of Artaud, Grotowski, Ionesco and Beckett, among others. She trained at the École Internationale de Théâtre Jacques Lecoq in Paris and studied philosophy at Katholieke Universiteit Leuven and English literature at the University of Sheffield.

Lisa Trahair teaches in film studies at the University of New South Wales, Australia. She is author of The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick. She has published widely on film comedy and on the philosophy of comedy in journals devoted to film and the theoretical humanities and has co-edited several special issues of journals on the intersection of film and philosophy.

Acknowledgments

Introduction

Chapter 1. Comedy: Towards an Alternative History of Mimesis, by María J. Ortega Máñez

Chapter 2. The Two Laughters of Lecoq: The Clown and the Bouffon, by Caterina Angela Agus, Giovani Fusetti and Davide Giovanzana

Chapter 3. The Masked Comic Figure in Alain Badiou’s Philosophy, by Fred Dalmasso

Chapter 4. The Body that Laughs and Cries: Helmuth Plessner’s Keys to Anthropology and Theatre, by Xavier Escribano

Chapter 5. Valentin, Brecht and Comic Inelasticity: Ridiculing Rigidity as an Impediment to Social Change, by Meg Mumford

Chapter 6. Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter, by Carolyn Shapiro

Chapter 7. Living in the Doll House: Cavell, Comedy and The Ladies Man, by Lisa Trahair

Chapter 8. Trouble in Paradise?: Impotence and Comedy, by Lisabeth During

Chapter 9. “Only What Is Born Lives”: Kafka L.O.L., by Jean-Michel Rabaté

Chapter 10. The Grotesque: Comic Performance and the Paradox of Acting, by Josephine Gray

About the Authors

This fascinating collection of essays reveals that the comic is not funny. It’s about things close to the tragic, the grotesque, impotence, and crying—all the things that make up what we call our world. Ultimately, it’s appropriate that there is such close etymological affinity between kosmos and komodia.


— Roland Breeur, Husserl-Archives: Centre for Phenomenology and Continental Philosophy


This important collection brings together a transdisciplinary group of scholars to explore the comic and comedy in relation to philosophy. A ground-breaking series of essays invite us to take ‘the comic very seriously’, while also offering a varied range of perspectives on topics drawn from theatre, performance, film, and literature.


— Jim Davis, professor of theatre studies, University of Warwick


Second Nature

Comic Performance and Philosophy

Cover Image
Hardback
eBook
Summary
Summary
  • This critical intervention in the study of the comic investigates how the comic act is also an expressive and performative act that precedes philosophical conceptualisation. The book puts Bergson, philosophy and the body at the centre of its investigation to explore different aspects of the field, from the history and philosophy of comedy to film and psychoanalysis. The volume develops a theoretical and practice-based framework that will be a valuable resource for students, scholars and practitioners alike in the fields of philosophy, literary studies, theatre and performance studies and comedy studies.

    List of Contributors: Caterina Angela Agus, Fred Dalmasso, Lisabeth During, Xavier Escribano, Giovanni Fusetti, Davide Giovanzana, Josephine Gray, María J. Ortega Máñez, Meg Mumford, Jean-Michel Rabaté, Carolyn Shapiro, Lisa Trahair

Details
Details
  • Rowman & Littlefield Publishers
    Pages: 270 • Trim: 6¼ x 9½
    978-1-78661-509-1 • Hardback • November 2022 • $121.00 • (£93.00)
    978-1-78661-510-7 • eBook • November 2022 • $38.00 • (£30.00)
    Subjects: Philosophy / Aesthetics, Philosophy / Continental Philosophy, Philosophy / Movements / Phenomenology
Author
Author
  • Josephine Gray is co-artistic director of Iraqi Bodies, a theatre group based in Gothenburg, Sweden, dedicated to exploring the links between movement and gesture, dance and physical theatre. Her experimental practice is anchored in the theory and method of Artaud, Grotowski, Ionesco and Beckett, among others. She trained at the École Internationale de Théâtre Jacques Lecoq in Paris and studied philosophy at Katholieke Universiteit Leuven and English literature at the University of Sheffield.

    Lisa Trahair teaches in film studies at the University of New South Wales, Australia. She is author of The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick. She has published widely on film comedy and on the philosophy of comedy in journals devoted to film and the theoretical humanities and has co-edited several special issues of journals on the intersection of film and philosophy.

Table of Contents
Table of Contents
  • Acknowledgments

    Introduction

    Chapter 1. Comedy: Towards an Alternative History of Mimesis, by María J. Ortega Máñez

    Chapter 2. The Two Laughters of Lecoq: The Clown and the Bouffon, by Caterina Angela Agus, Giovani Fusetti and Davide Giovanzana

    Chapter 3. The Masked Comic Figure in Alain Badiou’s Philosophy, by Fred Dalmasso

    Chapter 4. The Body that Laughs and Cries: Helmuth Plessner’s Keys to Anthropology and Theatre, by Xavier Escribano

    Chapter 5. Valentin, Brecht and Comic Inelasticity: Ridiculing Rigidity as an Impediment to Social Change, by Meg Mumford

    Chapter 6. Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter, by Carolyn Shapiro

    Chapter 7. Living in the Doll House: Cavell, Comedy and The Ladies Man, by Lisa Trahair

    Chapter 8. Trouble in Paradise?: Impotence and Comedy, by Lisabeth During

    Chapter 9. “Only What Is Born Lives”: Kafka L.O.L., by Jean-Michel Rabaté

    Chapter 10. The Grotesque: Comic Performance and the Paradox of Acting, by Josephine Gray

    About the Authors

Reviews
Reviews
  • This fascinating collection of essays reveals that the comic is not funny. It’s about things close to the tragic, the grotesque, impotence, and crying—all the things that make up what we call our world. Ultimately, it’s appropriate that there is such close etymological affinity between kosmos and komodia.


    — Roland Breeur, Husserl-Archives: Centre for Phenomenology and Continental Philosophy


    This important collection brings together a transdisciplinary group of scholars to explore the comic and comedy in relation to philosophy. A ground-breaking series of essays invite us to take ‘the comic very seriously’, while also offering a varied range of perspectives on topics drawn from theatre, performance, film, and literature.


    — Jim Davis, professor of theatre studies, University of Warwick


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